Showing posts with label amplifier. Show all posts
Showing posts with label amplifier. Show all posts

Nady Center Stage MSC3 Mic/stand/cbl Kit Review

Nady Center Stage MSC3 Mic/stand/cbl Kit
Average Reviews:

(More customer reviews)
I had purchased 2 of these microphone with stands for my two daughters for Christmas. I couldn't have been more pleased with a product.My daughters love them and use them atleast every other day. I wanted to buy them a micrphone and stand that would hold up and I am so glad I saw these. Other kid microphones with stands would cost 39.95 each and up. This was an unbelievable buy and the sound quality is great, very sturdy. Their not kiddie looking either (they look like a professional micrphone and stand) so they can be used for a very long time to come. And no problems at all with the shipping... they were packaged very well and shipped in perfect timing. I'd give this company 10 stars if I could. AWESOME PRODUCT FOR KIDS AND US ADULTS!!!!!!!

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Product Description:
The Center Stage from Nady is a Neodymium Dynamic Microphone with mic clip and tripod stand. Advanced high-output neodymium cartridge provides maximum clarity and definition, even in noisy environments, Unidirectional cardioid pattern reduces feedback, special-design internal cartridge mount for lowest handling noise and quiet performance, withstands highest sound pressure levels without overload or distortion, rugged all-metal contstruction, external on-off switch on handle, and includes 20 foot microphone cable. Also includes mic clip and sturdy metal tripod adjustable for performers up to 6ft four inches.The Center Stage can be used with any standard mixer, powered mixer/amp or mic preamp.

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Audix Fireball-V Harmonica Microphone Review

Audix Fireball-V Harmonica Microphone
Average Reviews:

(More customer reviews)
I love this mic if you play harp and are kind of worried of the price. Spend the money. Very little feedback feels great in your hands great sound volume control Audix knows how to do it.

Great mic

Click Here to see more reviews about: Audix Fireball-V Harmonica Microphone

Product Description:
Well-suited for both chromatic and diatonic harmonicas, The FireBall-V is a dynamic microphone with sleek styling and a unique design. It features a dent-resistant ball grill with a deep red internal pop filter and is contoured to fit comfortably within the palm of the hand. A full-sized dynamic capsule featuring VLM (Very Lo Mass) technology provides big, full-bodied sound that is very clean and accurate. The FireBall is resistant to feedback and is capable of handling sound pressure levels in excess of 140dB without distortion. Made to be cupped, it will operate as if in an open-air environment even under the most demanding conditions. A smooth and uniform frequency response of 50Hz-16kHz and a cardioid polar pattern allow it to focus on the particular instrument being miked without picking up other instruments or ambient noise.CNC machined out of a solid bar of aircraft-grade aluminum, it then goes through an elaborate 3-stage anodizing process for a distinctive look. Each FireBall is attractively laser etched with its name and serial number. Includes a heavy-duty mic clip and carrying pouch.

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Behringer Xenyx 802 Premium 8-Input 2-Bus Mixer with Xenyx Mic Preamps and British EQs Review

Behringer Xenyx 802 Premium 8-Input 2-Bus Mixer with Xenyx Mic Preamps and British EQs
Average Reviews:

(More customer reviews)
There are products that are designed to wow us with their seemingly infinite scope of features and permutations; at the opposite extreme there are products that sacrifice functionality in order to be aesthetically pleasing.The Behringer Xenyx 802 falls into neither of these categories.It's not fancy, but it has a specific use and it just does it well.

There are several different routing options, including separate outputs for headphone monitoring, control room output, and line out.In addition, this little mixer provides phantom power to up to two microphones.The sound quality is very transparent, and you have to really jack up the gain to hear any background noise.Overall, this device creates the clean, even frequency response of solid state electronics but without the cold, brittle digitalian cast that plagues direct digital recording.I use this for recording on my computer via my Creative Sound Blaster X-Fi XtremeGamer Sound Card ( 70SB073A00000 ); I have a somewhat rare cable which converts stereo 1/4" to stereo RCA, from which point I use a Y-cable to convert to a miniplug (yes, I can hear you audiophiles groaning).Using this setup, with some simple level adjustment on the 802, I can record both my keyboard and my voice (via the AKG Perception 200 Condenser Microphone) with high fidelity.I use this setup for producing demo recordings, but other possible uses include podcasting and pulling mixer duty for a live performance in a small venue.

The on board controls are nothing special, really.The EQ would probably be useful in a pinch, but I generally gravitate toward software-based EQ and effects in lieu of hardware equivalents, if only because I have much more control when using software.I imagine dedicated hardware would probably sound much better, though.Honestly, the 802 doesn't require a degree in rocket surgery to use; an instinctive knowledge of I/O and a basic understanding of audio equipment are the (loose) prerequisites.And, if you have trouble, the manual is very informative.What's more, it takes high honors as the absolute best English translation of a manual that I have ever come across.

As far as build quality, when testing out the controls I found that the knobs felt very solid without being sticky.Unfortunately, my unit does not sit flush on the table; I am not sure if this happens often with this model or brand.Other than this, the 802 seems very well made and I get the impression that it could get kicked around my home studio a lot and still keep on working.Reviews at various online music equipment retailers confirm the above.

My sole complaint about the 802 is that it has a somewhat unconventional metering display: While most audio meters will use a row of yellow LEDs to indicate when a signal is coming close to 0.0 dB (without clipping), on the 802 the yellow LEDs light up when a signal has actually exceeded 0.0 dB and is thus already mildly distorted.This is fine on a tube amp, I suppose, but for a solid state device one would probably not want any distortion, and the color coding of the meter is a little strange given that standpoint.I am more concerned when glancing over at the mixer if I am coming close to 0 dB, and a row of yellow LEDs in the -6 dB through 0 dB range would have been a lot more useful to me.

Still, the above is a very minor issue, and overall this is a wonderful little piece of equipment.Does it come packed with ten million different capabilities and features?No, of course not.But it doesn't follow the annoying modern trend of hiding everything behind a blank exterior with three or so tiny buttons shoved off to the side and out of sight, either (are you reading this Apple and all those like you?).For basic mixing work, small-scale demo recording, podcasting, and intimate live performances, the Behringer Xenyx 802 would be a very useful addition to anyone's equipment arsenal.There's something comforting about analog knobs, something musical in exactly the way that clicking through a series of computer generated dialogs or editing patch parameters with a menu substructure and a pair of up and down buttons just isn't.The tactile sensation inspires a sort of creative mindset, if you will.Call me crazy if you like, but even if analog didn't sound better than digital (please don't get into that debate with me; if you disagree than so be it) I would probably still surround myself with analog equipment.

My recommendation is if you need something unglamorous but very capable of accomplishing its intended use, then the Behringer Xenyx 802 is definitely something you should consider.It's relatively cheap, it's high quality, and it's an overall good beginning investment.

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Product Description:
Need to accommodate a vocal duo in a hurry? Got a small choir in need of a little projection? The BEHRINGER 802 mixer has everything you need to give a small multi-vocal performance a robust sound, offering plenty of versatility at a price you can afford.


Everything you need to give a small multi-vocal performance a robust sound. Click to enlarge.
Two state-of-the-art XENYX Mic Preamps.
"British" 3-band EQs for warm and musical sound.
A Bit of Input
The 8-input, 2-bus XENYX 802 has two XENYX mic preamps with +48 V phantom power, making it possible to use two dynamic or condenser microphones. You can use the 802's effects send and return jacks to hook up to an external effects processor.
Play music between sets via the RCA CD/Tape inputs (assignable to main mix or control room/phones outputs) and record your performance to an outboard recording device via the RCA outputs.
XENYX Preamps
The microphone channels feature high-end XENYX preamps that compare well with costly outboard preamps in terms of sound quality and dynamics, and boast the following features:

    130 dB dynamic range for plenty of headroom
    A bandwidth ranging from below 10 Hz to over 200 kHz for nuanced reproduction
    Low-noise, distortion-free circuitry for a transparent signal
    Perfect for most any mic, with up to 60 dB of gain and a +48 volt phantom power supply

"British EQ"
The equalizers used for the XENYX series are based on the legendary circuitry of top-notch consoles made in Britain, which are renowned throughout the world for their warm and musical sound character. Even with extreme gain settings, these equalizers provide outstanding audio.
Small Wonder
Weighing in at just 2.2 pounds, the XENYX 802 is the portable, practical way to turn a small performance with multiple vocalists into a sonic gem. Choirs, folk duos, coffee shops and karaoke lounges agree the XENYX 802 packs superior sound into small places.
What's in the Box
Behringer 802 8-Input Mixer, Power Supply, User's Manual

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Pyle PCMX240I Battery Powered Portable PA System with Ipod Docking Station Review

Pyle PCMX240I Battery Powered Portable PA System with Ipod Docking Station
Average Reviews:

(More customer reviews)
BUYER BEWARE: As promising as this product sounds, ours was short-lived.Moreover, it's difficult for us to imagine how another consumer's experience would be any different. Before you purchase, know this, as of 21 December 2009:
1. Battery Life - according to the manufacturer's own technical support staff (whose contact information was very difficult to find) the user can "NEVER overcharge the battery or allow it to drain completely, else the battery CANNOT BE REVIVED." We used our unit just a few times before it stopped working and we suspect this is the reason.Unfortunately, without a built-in gauge or meter to monitor the charge, it's nearly impossible to comply with those instructions.Eventually, you will overcharge or discharge the battery.
2. 90 Day Warranty - if you feel that you cannot live without this product, then take our advise and get an extended warranty if at all possible.
3. Symptoms - at first, our system wouldn't work unless the power chord was plugged directly into the electrical outlet.Then, the unit stopped working altogether - no recharge light, no sound (regardless of the input device - in our case iPods (G4 Nano, G1 iPod, and/or G2 iPod Video), a microphone, and an electric bass guitar).
4. Repair vs. Replacement - luckily we live in the New York Metropolitan area where there usually someone to fix just about anything.Unfortunately, the price quote to diagnose the problem was more costly than purchasing a new product.Getting to the battery was labor intensive, requiring the removal of 22 wood screws.Nearly everything inside was soldered.As for the speaker, forget about ever getting to it without destroying the cabinet - it's glued shut and housed in the bottom compartment.

Finally, as far as we can tell, the: (1) Ion Audio iPA03 Portable PA System, (2) Alesis Transactive Mobile/Portable PA System and (3) PYLE PCMX240I Battery Powered Portable PA System are identical and probably manufactured by the same company.As Shakespeare put it, "A rose by any other name is just as beautiful."The same then is true of lemons - buyer beware.

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Product Description:
Portable PA System Powered By Internal Rechargeable BatteryLine/ MIC Input With Volume ControlRCA InputLine OutputIpod Docking station Master Control Built-In 7 AH Rechargeable Battery Telescoping Handle & Caster Wheels400 Watts Peak Power 2 Way Full Range Speaker 110/220V SwitchableIpod Not IncludedSize: 18.52"H x 15.5"W x 11.5"D

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